Monday, January 24, 2011

Art Exhibit Stirs Up the Ghosts of Zimbabwe’s Past

January 23, 2011 (Source : www.nytimes.com )
Art Exhibit Stirs Up the Ghosts of Zimbabwe’s Past
By CELIA W. DUGGER
BULAWAYO, Zimbabwe — The exhibit at the National Gallery is now a crime scene, the artwork banned and the artist charged with insulting President Robert Mugabe. The picture windows that showcased graphic depictions of atrocities committed in the early years of Mr. Mugabe’s 30-year-long rule are now papered over with the yellowing pages of a state-controlled newspaper.

But the government’s efforts to bury history have instead provoked slumbering memories of the Gukurahundi, Zimbabwe’s name for the slaying and torture of thousands of civilians here in the Matabeleland region a quarter century ago.

“You can suppress art exhibits, plays and books, but you cannot remove the Gukurahundi from people’s hearts,” said Pathisa Nyathi, a historian here. “It is indelible.”

As Zimbabwe heads anxiously toward another election season, a recent survey by Afrobarometer has found that 70 percent of Zimbabweans are afraid they will be victims of political violence or intimidation, as thousands were in the 2008 elections. But an equal proportion want the voting to go forward this year nonetheless, evidence of their deep desire for democracy and the willingness of many to vote against Mr. Mugabe at great personal risk, analysts say.

In few places do such sentiments about violence in public life run as deep as here, and in recent months the government — whether through missteps or deliberate provocation — has rubbed them ever more raw.

Before the World Cup in South Africa in June, a minister in Mr. Mugabe’s party, ZANU-PF, invited the North Korean soccer team, on behalf of Zimbabwe’s tourism authority, to base itself in Bulawayo before the games began, a gesture that roused a ferocious outcry. After all, it was North Korea that trained and equipped the infamous Fifth Brigade, which historians estimate killed at least 10,000 civilians in the Ndebele minority between 1983 and 1987.

“To us it opened very old wounds,” Thabitha Khumalo, a member of Parliament, said of the attempt to bring the North Korean team to the Ndebele heartland. “We’re being reminded of the most horrible pain. How dare they? Our loved ones are still buried in pit latrines, mine shafts and shallow graves.”

Ms. Khumalo, interviewed while the invitation was still pending last year, wept as she summoned memories of the day that destroyed her family — Feb. 12, 1983.

She was 12 years old. She said soldiers from the Fifth Brigade, wearing jaunty red berets, came to her village and lined up her family. One soldier slit open her pregnant aunt’s belly with a bayonet and yanked out the baby. She said her grandmother was forced to pound the fetus to a pulp in a mortar and pestle. Her father was made to rape his mother. Her uncles were shot point blank.

Such searing memories stoked protests, and in the end the North Korean team did not come to Zimbabwe. But feelings were further inflamed months later when the government erected a larger-than-life bronze statue of Joshua Nkomo — a liberation hero, an Ndebele and a rival to Mr. Mugabe — that, incredibly, was made in North Korea.

Last September, bowing to public outcry over the statue’s origin (and protests from Mr. Nkomo’s family that its plinth was too small), the statue was removed from a major intersection in Bulawayo. It now stands neglected in a weedy lot behind the Natural History Museum here.

Inside the museum hangs a portrait of a vigorous and dapper Mr. Mugabe in oversize glasses. He turns 87 next month. A massive stuffed crocodile, his family’s clan totem, dominates one gallery, its teeth long and sharp, its mouth agape. The signboard notes the crocodile’s lifespan exceeds 80 years.

Mr. Mugabe signed a pact with North Korea’s founder, Kim Il-sung, to train the infamous army brigade just months after Zimbabwe gained independence from white minority rule in 1980. Mr. Mugabe declared the brigade would be named “Gukurahundi” (pronounced guh-kura-HUN-di), which means “the rain that washes away the chaff before the spring rains.” He said it was needed to quell violent internal dissent, but historians say he used it to attack Mr. Nkomo’s political base and to impose one-party rule.

Mr. Mugabe’s press secretary, George Charamba, said the president had called the Gukurahundi “a moment of madness,” but asked whether Mr. Mugabe had apologized for the campaign, Mr. Charamba bristled.

“You can’t call it a moment of madness without critiquing your own past,” he said. “I hope people are not looking to humiliate the president. I hope they’re just looking at allowing him to get by healing this nation. For us, that is uppermost. Our sense of embitterment, our sense of recompense may not be exactly what you saw at Nuremburg.”

Downtown Bulawayo has the sleepy rhythms of a farm town, but the psychic wounds of the Gukurahundi fester beneath its placid surface. At the National Gallery here, the stately staircase leading to the shuttered Gukurahundi exhibit is now blocked by a sign that says “No Entry.” But the paintings, on walls saturated with blood-red paint, can still be glimpsed from the gallery above, through the bars of balconies. The paintings themselves seem to be jailed.

Voti Thebe, who heads the National Gallery, said the artist, Owen Maseko, created the Gukurahundi exhibit to contribute to reconciliation. There was no money, so Mr. Maseko, 35, did it on his own time. He was just a boy at the time of the Gukurahundi, but he recalls the sounds of hovering helicopters and sirens.

“The memories are still there,” he said. “The victims are still alive. It’s not something we can just forget.”

In a large painting, a row of faces are shown with mouths open in wordless screams. In another, women and children weep what seem to be tears of blood. Three papier-mâché corpses, one hanging upside down, fill a picture window. Throughout the galleries are recurrent, menacing images of a man in oversize glasses — Mr. Mugabe.

The day after the exhibit opened last year, it was closed down. Mr. Maseko was detained, then transferred to prison in leg irons before being released on bail. Mr. Maseko’s case awaits the Supreme Court’s attention. He is charged with insulting the president and communicating falsehoods prejudicial to the state, a charge punishable by up to 20 years in prison.

David Coltart, a politician from Bulawayo who is arts minister in the power-sharing government of ZANU-PF and its political rivals, said he warned cabinet ministers that prosecuting Mr. Maseko could turn the case into a cause célèbre and inflame divisions. Mr. Coltart, who has long fought the Mugabe government, said he also appealed directly to Defense Minister Emmerson Mnangagwa, who was security minister during the Gukurahundi.

“It is only when nations grapple with their past, in its reality, not as a biased fiction, that they can start to deal with that past,” Mr. Coltart said in a lecture delivered above Mr. Maseko’s show. He called the Gukurahundi “a politicide, if not a genocide.”

The Bulawayo playwright Cont Mhlanga knows the costs of free expression. His play “The Good President” was shut down on opening night here in 2007 when baton-wielding riot police officers stormed the theater.

The lead character is a grandmother who lies to her two grandsons about the death of their father. He had been buried alive in the Gukurahundi. But the boys, ignorant of the truth, become beneficiaries of the Mugabe government, one of them an abusive policeman, the other a recipient of seized farmland. The play’s title refers, Mr. Mhlanga said, to African leaders who call Mr. Mugabe a good president, “this man who has blood on his hands.”

Mr. Mhlanga says he feels “like someone has put huge pieces of tape over my mouth,” but insists that artists must express what people are terrified of saying.

“We live in a society where we’re so afraid, even of our own shadows,” he said. “To create democratic space in a society like ours, we have to deal with fear.”

Monday, January 17, 2011

A Jewish Education in Zimbabwe

[Source : published in The Yale Globalist, Yale University's Undergraduate
Magazine of International Affairs.]
A Jewish Education in Zimbabwe
in CULTURE — October 22, 2010 at 9:17 am | 3 comments

by Anya van Wagtendonk:

Clement Mpofu looks out at the camera, smiling broadly. He waits patiently as his interviewers decide where to begin, his shirtsleeves rolled up against the heat of a Zimbabwe spring. Atop his head rests a blue kipah, the skullcap that reminds Jews of their humility beneath the Divine. But Mpofu is not Jewish. Moments before the camera was switched on, he paused, fumbled around in his desk, and came up with the blue garment. It is important that he wear a kipah when speaking to the public. He is, after all, the headmaster of the Carmel School, one of the last Jewish schools in Zimbabwe.

A School is Born

Fifty years ago, members of the Jewish community in Bulawayo, Zimbabwe’s second-largest city, petitioned to form a school for their children. In 1958, eight students came together in a one-room schoolhouse as the first class of the Carmel School. Within two years, 160 young Zimbabwean Jews were studying Hebrew and the Old Testament alongside math, biology, and the indigenous language, Ndebele.


A class photograph of students at the Carmel School. (Courtesy Gabrielle Elkaim, Carmel '95)

At the time, Zimbabwe was still Rhodesia, and a white minority government forcibly ruled over the black majority. After a 14 year civil war, which the white minority lost, the first truly democratic elections were held. Robert Mugabe, who remains the leader of Zimbabwe, was elected in 1979 and sworn into office as President in 1980. At this time, Carmel became integrated and the school committed itself to promoting a diverse student body of all religious backgrounds.

Today, thirty years later, there are hardly any Jewish students left among the 200-person student body. Gabrielle Elkaim, who graduated from Carmel in 1995 and is the daughter of Carmel’s very first student, reported that there is only one Jewish student left. “And by December this year,” said Elkaim, “she will graduate, and there won’t be any Jews there.”

The absence of Jewish students at the school reflects the struggles of the greater Zimbabwean Jewish community, which is but a shadow of what it once was. By the 1970s, the Jews in Zimbabwe numbered 7,500, most of them descendents of the first traders who arrived in the 1890s or of European refugees searching for new homes in the years during and after World War II. Today, the community counts fewer than 300 to their ranks. Most live in either Harare or Bulawayo, cities of a million and a half people. One-eighth live in the Savyon Lodge, Bulawayo’s Jewish retirement home. In 2003, the hundred-yearold Bulawayo Hebrew Congregation burned down; while its walls once sheltered 3000 people, fewer than 120 members now gather for services at Savyon Lodge.

Leaving Zimbabwe

But Zimbabwe is losing not only Jewish residents. A recent BBC survey suggests that, since 1990, millions of Zimbabweans have chosen to start new lives in the United States, the United Kingdom, Australia, and surrounding African countries. Rabbi Moshe Silberhaft, spiritual leader of the African Jewish Congress, an organization that sees to the needs of sub-Saharan Jewish communities, insisted that “it is not a Jewish issue.” Rather, he pointed to the “starving masses and fat cat politicians” that have preoccupied news stories about Zimbabwe since Robert Mugabe declared himself the first executive head of state—effectively, dictator for life—in 1987.

Mugabe entered office in 1980 as a champion of the people, an anti-imperialist who had fought against British rule in the Zimbabwe liberation struggle. But over time, his rule became increasingly authoritarian. Today, reports of human rights violations stream across the border accompanied by stories of censorship, corruption, and oppression, of government-ordered assassinations and torture. Ethnic tensions have also increased under his reign: Mugabe has referred to white Zimbabweans as “British settlers… citizens by colonization,” and, in 2000, ordered a land-grab operation wherein 4,000 white farmers watched their land get forcibly taken from them. Mugabe is also largely blamed for the economic turmoil of recent years, wherein hyperinflation rendered the Zimbabwe dollar nearly valueless.

“A lot of people have left the country because of the situation where you know that you cannot, you cannot get any basic food on the shelves… And that’s not fair,” Mpofu explained. The purpose of the video becomes clear: It is a farewell of sorts, filmed weeks before his decision to resign and leave the country in 2007. “It’s a very traumatic situation for me because I never wanted to go. But because of what is happening in the country…” He trails off. “I’m just praying that something is going to happen soon.”

“An Example of True Coexistence”

But something is happening, inside the walls of the very school that Mpofu left. Even in the absence of a sizeable Jewish student body, the Carmel School has remained staunchly Jewish. All students celebrate the Jewish Sabbath, observe Jewish holidays, study the Old Testament, and perform plays from its stories. Among the required school supplies listed in the student handbook is a kipah for the boys. Pork products are banned from school grounds in accordance with the Jewish dietary laws. And although most students come from Christian, Muslim, Hindu, or other backgrounds, all students participate fully in this Jewish experience. David W. Rix, who replaced Mpofu and presides over the school today, said the non-Jewish parent body remains “adamant” that the school retain its Jewish ethos.

Consequently, the school serves as a model of multiculturalism. “It’s amazing that the children are all getting along together,” Mpofu observed. “Many parents prefer to bring their children in that type of environment which is more or less a setup of how we want Zimbabwe to be,” Michelle, a non-Jewish student from the mid-1990s who asked that her last name not be used, has put her own children in an international school “to gain the same experiences that I was lucky enough to experience” at Carmel. Elkaim remarked that she has never come across another Jewish school as diverse as Carmel, with students from such varied religious, racial, and ethnic backgrounds.

“This is a real reflection of the Bulawayo community,” she asserted, “and as far as I’m concerned, is the most overlooked part of our community which should be an example of true coexistence to the rest of the world.”

Looking Forward

In his departure interview, Mpofu expressed many hopes for the future of the Carmel School. Some, like the continued existence of the school’s Hebrew program, did not come to fruition: although students still learn Hebrew blessings and prayers, the language is no longer taught. But the emphasis on multiculturalism is still very much present, as evidenced in the school charter which holds hateful or discriminatory language or behavior as its highest offense. Mpofu’s biggest concern—that, as the Jewish population continued to dwindle, the school would lose its distinct Jewish character—does not appear to be an issue. The same school charter states its objective to retain “the Jewish traditions and character of the school.” When asked about the current state of Jewish affairs at Carmel, Elkaim echoed Rix’s claim that “the non-Jewish parents have insisted that Carmel stay a Jewish school in nature.”

Ultimately, Mpofu believes that these students, those whose minds and values have been shaped within the confines of a school dedicated to tolerance, harmony, and respect, will be the ones to restore this broken country. As renewed hope promises to turn Zimbabwe around, “we will need them to come back to the country, or even stay here, to actually run the economy in the future. They are the ones who are going to be responsible,” he explained.

The school symbol is the eight-armed menorah lit during Hanukah, the Jewish holiday of light. This candelabra was lit, so the story goes, after Judah Maccabee and his makeshift army led a successful revolt against the Greek Emperor who wanted the Jews—and all other ethnic minorities in the region—to become Hellenized. The Carmel School uses this symbol to represent its commitments to “the characteristics of determination, courage and tenacity associated with the heroic figure of Judah the Maccabee.” With these characteristics Carmel hopes its students will shape the future of their country.

As he gazes out into the camera, it is clear Mpofu doesn’t know when that future will be realized. Until it is, he will not return to Zimbabwe. If conditions do improve, though, he knows what he wants to do. “If I’m going to come back,” he grins, “I want to come back and teach at Carmel.”

Anya van Wagtendonk ’12 is an English major in Timothy Dwight College. Contact her at anya.vanwagtendonk@yale.edu.